by Dr. Crank “Eccentric performances are fueled by contradictory desires for recognition and freedom” (8–9). Francesca Royster When I was twelve or thirteen years old, “Cream” by Prince was continuously played on Mexican television. It was on Channel Four, perhaps the most heteroclite and incoherent channel of national television (some say that Channel Four is … Continue reading From the Isolated Soul Body to the Eccentric Performance of Collaborative Post-Soul Bodies