Más que la cara

“Perhaps we can imagine the movement for women’s liberation as a colorful, varied patchwork of fabric: each piece of cloth distinct and textured, interconnected at specific points and diverging at others. The absence of a single face is an invitation to all women to weave their narratives into the fabric of genuine women’s liberation. It is this patchwork of cloth that we must carry through the threshold the current pandemic offers: a gateway to a possible world beyond capitalism and its fascist empires, beyond patriarchy and its ruling lords. When we cover our faces, in the tradition of MAKIBAKA and in solidarity with billions protecting each other from disease and resisting injustice, we do not retreat from the world. We equip ourselves with the tools to stitch it anew.”

“Bandanas” by Angeli Lacson

Mask play an important role during social movilizations. Why? To hide the identity? To create a collective identity? This zine is an exploration of these questions within feminisms.

In celebration of their fifth anniversary, Gantala Press (see our previous interview) would like to share with you their new coloring e-zine, Más que la cara: Women, Masks, and Protest. Featured here are brave women all over the world who draw from the strength and power of the collective in fighting for justice for their communities. This coloring zine is a collection of texts and images about women who utilize the mask in protest. Featured are the Zapatistas of Mexico, the MAKIBAKA women of the Philippines, the Guerrilla Girls of the USA, Pussy Riot of Russia, the feminists of Chile, and the face mask-wearing women in the pandemic. Send us a message if you want to access the PDF and the image files for coloring!

Download it HERE

Mirar la maternidad a través de las fotografías de la serie New Mothers de Rineke Dijkstra

En el año 1994, Rineke Dijkstra realiza una serie de tres fotografías llamada New Mothers
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Mirar la maternidad a través de las fotografías de la serie New Mothers de Rineke Dijkstra

GOSPEL FOR THE LIVING ONES

We began building mom's  home the day the bombings  began. First it was the smoke.  Later it arrived the fire...
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Una interacción entre -mostrar y no mostrar

en la fotografía en color Highly carcinogenic blue asbestos waste on the Owendale Asbestos Mine tailings dump, near Postmasburg, Northern...
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Una interacción entre -mostrar y no mostrar

Rineke Dijkstra. The encounter between the photographer, the sitters and the viewer in the Beach Portrait Series.

The role of photography in the construction of identity. An encounter between observing and being observed; detailed colored large-scaled depictions...
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Rineke Dijkstra. The encounter between the photographer, the sitters and the viewer in the Beach Portrait Series.

Machine Gun Confusion

The shapes are that of two people. They do each have a soul, But it’s hard for them to remember...
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Brand New Heaven

I tried to accept everything, so that I could come to Heaven. But when I got there, Heaven was closed...
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Brand New Heaven

Maniobras: las políticas internacionales que militarizan las vidas de las mujeres

Maneuvers: The International Politics of Militarizing Women's Lives Cynthia Enloe University of California Press, 2000, 437 pages.  ISBN: 9780520220713 Traducción...
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Maniobras: las políticas internacionales que militarizan las vidas de las mujeres

I Can Only Wonder

If we are always foreigners when one  of us walks across the Pont de Sully [what is then foreigner?]  I...
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I Can Only Wonder

Before Lockdown

Cuando cruzar un puente al aire libre era parte de la normalidad (autoetnografía) "Y el tiempo dirá si al final...
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Before Lockdown

Reseña poetizada de “Le Pont du Nord”, Jacques Rivette

Una claustrofóbica en prisión y una gemela con un hermano igual,             de otro país. Una llamada por cobrar ya pagada. ...
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Reseña poetizada de “Le Pont du Nord”, Jacques Rivette